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Andrea Rathert-Schützdeller:
Picture "There is always a way 2" (2024)
Proportional view
Picture "There is always a way 2" (2024)
Andrea Rathert-Schützdeller:
Picture "There is always a way 2" (2024)

Quick info

Acrylic | Canvas, stretched on stretcher frame | Format 90 x 60 cm (H/W) | picture hang up | signed certificate of authenticity

incl. tax plus shipping

Delivery time: approx. 2 weeks

Picture "There is always a way 2" (2024)
Andrea Rathert-Schützdeller: Picture "There is always a w...

Detailed description

Picture "There is always a way 2" (2024)

Andrea Rathert-Schützdeller likes to present her works and the associated themes in series, as this allows her to deepen and clarify the various aspects. In 2024, she created the series "Essences", which includes the colorful pictures with the titles: "There is always a way" 1-3. At first glance, these works suggest landscapes, but those who know the artist can sense the deeper dimension: they reflect the artist's inner attitude, which is concerned with questions of resilience and finding ways out of difficult situations. These pictures impressively show how the artist translates her personal perspective and emotional depth into abstract forms and colors.

Producer: ars mundi Edition Max Büchner GmbH, Bödekerstraße 13, 30161 Hanover, Germany Email: info@arsmundi.de

About Andrea Rathert-Schützdeller

Born in 1960 as a child of the Ruhr area, Andrea Rathert-Schützdeller has been living and working as a freelance artist, lecturer and author in Essen since 2007.
The focus of her artistic work is on abstract - mostly informal - acrylic painting, which she presents in solo exhibitions and exhibition participations at home and abroad. The impetus and inexhaustible basis for the abstract works of the artist are scenic impressions, everyday encounters, emotions and perceptions. She transforms the resulting themes into expressively designed color zones, some of which overlap, merge with each other or strongly delineate. Andrea Rathert-Schützdeller succeeds in translating her inner images into ever new languages of color and form, foregoing an immediately recognizable painting style in favor of a multifaceted mode of representation. Her works open up their very own imaginative spaces for the viewer, in which he or she can trace the artist's intended intention or discover stories all their own.
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