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Anja Struck:
Picture "blown through" (2022)
Picture "blown through" (2022)
Picture "blown through" (2022)
Picture "blown through" (2022)
Picture "blown through" (2022)
Picture "blown through" (2022)
Picture "blown through" (2022)
Proportional view
Picture "blown through" (2022)
Anja Struck:
Picture "blown through" (2022)

Quick info

Oil | Canvas, stretched on stretcher frame | Format 40 x 60 cm (H/W) | picture hang up | signed certificate of authenticity

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Picture "blown through" (2022)
Anja Struck: Picture "blown through" (2022)

Detailed description

Picture "blown through" (2022)

The viewer sees a couple. They are walking along the sea shore. Cap and jackets indicate that the temperature is rather cold. Also the color choice of a cool blue for the sea and a cool yellow for the beach underline this impression. The gaze of the two people goes away from the viewer in the direction of the waves. The viewer automatically follows this gaze towards the horizon, which lies outside the picture. He is taken into the peace of this picture. Signature on the reverse.

About Anja Struck

Born in 1961 in Hamburg, I studied free painting under Prof.
Harald Duwe at the Muthesius Academy of Fine Arts Kiel. This was followed by art education in Lüneburg and graphic and design in Hamburg. Later, a two-year study with Prof. Markus Lüpertz at the Art Academy Bad Reichenhall was added. In 2013 I received the cultural promotion award of the district of Lüneburg. My works can be seen at numerous exhibitions at home and abroad. Abroad: including America (New York, Miami,Pennsylvania), China (Beijing), Italy(Veneidig), Poland (Katowice), Östereich, Switzerland, Dänemerk Germany: Munich, Isny, Stuttgart, Bad Reichenhall, Berlin, Weilburg, Hilden, Dorsten, Detmold, Hanover, Stade, Hamburg, Lüneburg, Kiel, etc. I live and work in Lüneburg. My studio is in a former distillery, built in 1856. Man and landscape come together in my works to form an overall composition. The play of light and shadow creates liveliness. The dissolution of boundaries, the blurring of motifs and the emergence of blur gives the images something mysterious, it awakens memories and seduces the viewer to dream. This is further supported by a color choice of rather muted, soft colors. As a North German, I love the sea. In numerous works it finds itself thematically again. It creates images with great atmospheric density.
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