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Anja Struck:
Picture "softly rippling the waves" (2021)
Picture "softly rippling the waves" (2021)
Proportional view
Picture "softly rippling the waves" (2021)
Anja Struck:
Picture "softly rippling the waves" (2021)

Quick info

Oil | Canvas, stretched on stretcher frame | Format 20 x 50 cm (H/W) | picture hang up | signed certificate of authenticity

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Picture "softly rippling the waves" (2021)
Anja Struck: Picture "softly rippling the waves" (2021)

Detailed description

Picture "softly rippling the waves" (2021)

The picture shows a bench from behind. The view from the bench goes to the sea. The picture shines from the inside. The sun seems to set, its intense rays illuminate the sea, the bench, the grasses and also the individual branches of a tree that can be seen on the right and left at the edge of the picture. The clouds in the intense blue sky are also illuminated. The viewer feels invited to sit on the bench, look at the sea and dream. A very atmospheric picture.

About Anja Struck

Born in 1961 in Hamburg, I studied free painting under Prof.
Harald Duwe at the Muthesius Academy of Fine Arts Kiel. This was followed by art education in Lüneburg and graphic and design in Hamburg. Later, a two-year study with Prof. Markus Lüpertz at the Art Academy Bad Reichenhall was added. In 2013 I received the cultural promotion award of the district of Lüneburg. My works can be seen at numerous exhibitions at home and abroad. Abroad: including America (New York, Miami,Pennsylvania), China (Beijing), Italy(Veneidig), Poland (Katowice), Östereich, Switzerland, Dänemerk Germany: Munich, Isny, Stuttgart, Bad Reichenhall, Berlin, Weilburg, Hilden, Dorsten, Detmold, Hanover, Stade, Hamburg, Lüneburg, Kiel, etc. I live and work in Lüneburg. My studio is in a former distillery, built in 1856. Man and landscape come together in my works to form an overall composition. The play of light and shadow creates liveliness. The dissolution of boundaries, the blurring of motifs and the emergence of blur gives the images something mysterious, it awakens memories and seduces the viewer to dream. This is further supported by a color choice of rather muted, soft colors. As a North German, I love the sea. In numerous works it finds itself thematically again. It creates images with great atmospheric density.
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