Anja Struck:
Picture "the perspective" (2018)
Proportional view
Picture "the perspective" (2018)
Anja Struck:
Picture "the perspective" (2018)

Quick info

Oil | Canvas, stretched on stretcher frame | Format 80 x 30 cm (H/W) | picture hang up | signed certificate of authenticity

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Delivery time: approx. 2 weeks

Picture "the perspective" (2018)
Anja Struck: Picture "the perspective" (2018)

Detailed description

Picture "the perspective" (2018)

The picture is in portrait format. The viewer sees from a bird's eye view - that is, from above - in the upper right corner of the picture two people shaking hands. They are a woman and a man. Why the two figures shake hands is not apparent, so remains uncertain. The viewer is challenged to develop his own ideas about this encounter. Around the figures are bright, vivid shades of gray, white and beige. The entire surrounding space is kept rather abstract. Again, there is much room for interpretation. From the figures go out and two long-drawn shadows.

About Anja Struck

Born in 1961 in Hamburg, I studied free painting under Prof.
Harald Duwe at the Muthesius Academy of Fine Arts Kiel. This was followed by art education in Lüneburg and graphic and design in Hamburg. Later, a two-year study with Prof. Markus Lüpertz at the Art Academy Bad Reichenhall was added. In 2013 I received the cultural promotion award of the district of Lüneburg. My works can be seen at numerous exhibitions at home and abroad. Abroad: including America (New York, Miami,Pennsylvania), China (Beijing), Italy(Veneidig), Poland (Katowice), Östereich, Switzerland, Dänemerk Germany: Munich, Isny, Stuttgart, Bad Reichenhall, Berlin, Weilburg, Hilden, Dorsten, Detmold, Hanover, Stade, Hamburg, Lüneburg, Kiel, etc. I live and work in Lüneburg. My studio is in a former distillery, built in 1856. Man and landscape come together in my works to form an overall composition. The play of light and shadow creates liveliness. The dissolution of boundaries, the blurring of motifs and the emergence of blur gives the images something mysterious, it awakens memories and seduces the viewer to dream. This is further supported by a color choice of rather muted, soft colors. As a North German, I love the sea. In numerous works it finds itself thematically again. It creates images with great atmospheric density.
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