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Easter-Bonus Discount at artSOLITAIRE. - 6.5% discount on online purchases (except gift vouchers) - 20.03.-30.03.2025
Kirsten Treis:
Picture "Pond 4" (2013)
Proportional view
Picture "Pond 4" (2013)
Kirsten Treis:
Picture "Pond 4" (2013)

Quick info

Acrylic | Canvas, stretched on stretcher frame | Format 50 x 60 cm (H/W) | picture hang up | signed certificate of authenticity

incl. tax plus shipping

Delivery time: approx. 2 weeks

Picture "Pond 4" (2013)
Kirsten Treis: Picture "Pond 4" (2013)

Detailed description

Picture "Pond 4" (2013)

The botanical garden is located in the middle of the city. It is attached to a castle with a moat. When the children were small, I loved going there with them. There was always something to discover: Newts in the bog area, lizards on the dry rocks, fish in the castle moat, turtles bathing in the sun and, with a bit of luck, even iguanas in the greenhouses. Even now, I still like to drop by for a visit. This has resulted in one or two pictures of motifs in the botanical garden. In this series, however, the focus is not on colorful exotic flowers, but on aging water lily leaves in autumn. A beauty all of their own. Water lily leaves in the fall. Signed and dated.

Producer: ars mundi Edition Max Büchner GmbH, Bödekerstraße 13, 30161 Hanover, Germany Email: info@arsmundi.de

About Kirsten Treis

Under the brushes of Bonn painter Kirsten Treis, colorful pictures of nature and landscape are created.
Works from the "Water Worlds" series are presented here. Fleeting everyday moments form the basis of her lively works. Leaves swirl in the water, frogs gather for a magnificent concert or small whirlpools become large waves. The pictures are sometimes representational, sometimes abstract, sometimes lifelike, sometimes more composed. Above all, they encourage you to look closely. Because these pictures are only clear at first glance. Again and again, Kirsten Treis captures the seemingly incidental and uses it to create new focal points. She is fascinated by the beauty of the moment, when light conjures up sunspots and the trivial suddenly comes into focus. The painter appreciates the light, watercolor-like quality of acrylic paint and plays with the alternation between image and abstraction. The painter donates 3% from the sale of her paintings to nature conservation projects.
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