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Easter-Bonus Discount at artSOLITAIRE. - 6.5% discount on online purchases (except gift vouchers) - 20.03.-30.03.2025
Easter-Bonus Discount at artSOLITAIRE. - 6.5% discount on online purchases (except gift vouchers) - 20.03.-30.03.2025
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Klaus Schwendner:
Sculpture "Tie Eater" (2022)
Sculpture "Tie Eater" (2022)
Sculpture "Tie Eater" (2022)
Sculpture "Tie Eater" (2022)
Sculpture "Tie Eater" (2022)
Sculpture "Tie Eater" (2022)
Sculpture "Tie Eater" (2022)
Klaus Schwendner:
Sculpture "Tie Eater" (2022)

Quick info

Wood | More refinement | Format 94 x 94 x 7 cm (H/W/D) | Weight 23.5 kg | signed certificate of authenticity

Oster-Bonus -6,5%

€2,711.50 % €2,900.00 (6.5% saved)

incl. tax plus shipping

Delivery time: approx. 2 weeks

Sculpture "Tie Eater" (2022)
Klaus Schwendner: Sculpture "Tie Eater" (2022)

Detailed description

Sculpture "Tie Eater" (2022)

Wooden relief, assembled scraps of wood on a support plate, repeatedly "drawn" with a power saw and painted with acrylic paint. The relief is framed with a narrow iron frame, fasteners for hanging are mounted on the wooden support.

Producer: ars mundi Edition Max Büchner GmbH, Bödekerstraße 13, 30161 Hanover, Germany Email: info@arsmundi.de

About Klaus Schwendner

The focus of my work is the human being. The mostly naked wooden sculptures are neither the age nor a social position readable.
Additional attributes or objects are largely dispensed with, no reference is made to a particular context or context. The wooden works are made almost exclusively with power saws. The figuration of the human body is thereby combined with the visible traces of the production process. The surface, which is usually left rough, is sometimes reworked with paint and counteracts the destructive process of the power saw. My works do not show a classical aesthetic but rather the powerful, archaic language of the material and its properties as well as the untamed and thus more impressive artistic production process. A process in trial and error, characterized by unpredictability and chance, failure, correction and recomposition. My works are deliberately kept unemotional and leave the viewer all interpretive possibilities open and can serve as a mirror of feelings, desires and hopes. Man once not in the usual, smooth version, as it oozes out of all channels, but idiosyncratic and bizarre, rugged and oblique to the point of grotesque.
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