Marje:
Picture "Zero" (2022)
Proportional view
Picture "Zero" (2022)
Marje:
Picture "Zero" (2022)

Quick info

Acrylic, Coloured Pencil, Other materials | Canvas, stretched on stretcher frame | Format 100 x 100 cm (H/W) | picture hang up | signed certificate of authenticity

incl. tax plus shipping

Delivery time: approx. 2 weeks

Picture "Zero" (2022)
Marje: Picture "Zero" (2022)

Detailed description

Picture "Zero" (2022)

Beginning... The images are abstractions that are firmly rooted in nature and arise from an inner sensation, palpable and yet indescribable. The fascination of her painting the artist passes on to the viewer, who is looking for a source of inspiration and energy. Capturing energy are aspects that dominate in Evgenija Koch works. Art is a big concept that can be analyzed and defined in different ways and from different points of view. Basically, art is created wherever a creative process ends. The work of art is a unique original. An applied layer of impregnation protects the artwork UV light and dust. On the front signed with artist name "Marje", which Evgenija Koch usually uses.

About Evgenija Koch

My name is Evgenija Koch. I come from Saint Petersburg and I am an artist living in Hannover.
Regardless of studies, in the end a person is always self-taught, especially in the artistic field. In the Academy of Painting, Sculpture and Architecture in Saint Petersburg I got access to tools of the trade, a palette of techniques, knowledge of ingredients, their origin and history. After tiring of the method of socialist realism , which at that time in Russia represented revolutionary romanticism , I began to follow my own path of art. Currently, I am deepening artistic knowledge in the Academy ABK in Hanover. My intention is the surprising connection and exciting metamorphosis of color surfaces on the canvas. A mental state I bring to expression in abstraction. Thereby reflect my moods and emotions, as well as perception of light and shadow in the works. The fascination of light and dark ratios gives the two-dimensionality in my works seemingly again.
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