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Easter-Bonus Discount at artSOLITAIRE. - 6.5% discount on online purchases (except gift vouchers) - 20.03.-30.03.2025
Easter-Bonus Discount at artSOLITAIRE. - 6.5% discount on online purchases (except gift vouchers) - 20.03.-30.03.2025
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Michael Rofka:
Sculpture "The blue ear" (2024)
Sculpture "The blue ear" (2024)
Sculpture "The blue ear" (2024)
Sculpture "The blue ear" (2024)
Sculpture "The blue ear" (2024)
Sculpture "The blue ear" (2024)
Sculpture "The blue ear" (2024)
Sculpture "The blue ear" (2024)
Sculpture "The blue ear" (2024)
Sculpture "The blue ear" (2024)
Sculpture "The blue ear" (2024)
Sculpture "The blue ear" (2024)
Sculpture "The blue ear" (2024)
Michael Rofka:
Sculpture "The blue ear" (2024)

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Wood | More refinement | suitable for indoor and outdoor use | Format 40 x 40 x 30 cm (H/W/D) | Weight 5 kg | signed certificate of authenticity

Oster-Bonus -6,5%

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Sculpture "The blue ear" (2024)
Michael Rofka: Sculpture "The blue ear" (2024)

Detailed description

Sculpture "The blue ear" (2024)

The blue ear is not a figurative sculpture in the usual sense. The artist created a complex, twisted structure from a piece of maple wood. It is the inner life of a sculpture that interests the artist. The association "ear" is therefore quite obvious. The sculpture is treated with ultramarine blue pigments and an oil. This also gives it a somewhat mysterious character all of its own. It is mounted on a white stone slab.

Producer: ars mundi Edition Max Büchner GmbH, Bödekerstraße 13, 30161 Hanover, Germany Email: info@arsmundi.de

About Michael Rofka

Basically, I work in various media, with sculpture or sculpture takes a central role.
Increasingly important, however, are also land art projects on an international level. But I also paint and am musically active. Interdisciplinarity is important to me. Figurative elements are found only exceptionally and if these are rather plant forms. I have always been interested in natural science and nature forms a thematic center. For my sculptures I like to look for stones and wood in nature. However, I use steel or copper and also like to combine materials. The shaping of the sculptures follows on the one hand formal, geometric considerations, on the other hand it is found in a creative artistic work process. I am particularly interested in flow forms.
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