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Easter-Bonus Discount at artSOLITAIRE. - 6.5% discount on online purchases (except gift vouchers) - 20.03.-30.03.2025
Easter-Bonus Discount at artSOLITAIRE. - 6.5% discount on online purchases (except gift vouchers) - 20.03.-30.03.2025
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Oleg Breininger:
Picture "Remote view" (2013)
Picture "Remote view" (2013)
Picture "Remote view" (2013)
Picture "Remote view" (2013)
Picture "Remote view" (2013)
Picture "Remote view" (2013)
Picture "Remote view" (2013)
Picture "Remote view" (2013)
Picture "Remote view" (2013)
Proportional view
Picture "Remote view" (2013)
Oleg Breininger:
Picture "Remote view" (2013)

Quick info

Chalk | Other carrier material | framed | Format 70 x 50 cm (H/W) | picture hang up | signed certificate of authenticity

Oster-Bonus -6,5%

€1,496.00 % €1,600.00 (6.5% saved)

incl. tax plus shipping

Delivery time: approx. 2 weeks

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Picture "Remote view" (2013)
Oleg Breininger: Picture "Remote view" (2013)

Detailed description

Picture "Remote view" (2013)

"distant view" pastel on pastel paper Natural spaces marked by use are the subject of my constant observations... Part of the theme are also the limited possibilities that characterize the use. By visualizing time-related influences of certain processes, exaggeration of effectiveness, regeneration processes, maximum receptivity of interventions and reversal of habitual impressions, the view is drawn to the fact that capacities have a limited endurance and reflect in a positive sense the capacity of nature to suffer. The role of man in the use of nature will be questioned.

Producer: ars mundi Edition Max Büchner GmbH, Bödekerstraße 13, 30161 Hanover, Germany Email: info@arsmundi.de

About Oleg Breininger

Date of birth: 1985 Studies: 2007- 2012 Alanus University of Arts and Social Sciences _ Fine Arts Alfter, NRW, Germany Freelance artist in the field of painting Natural spaces characterized by use are the subject of my constant observations.
Production and extraction, which among other things make up the use, determine the natural space in production material and production area and their components in production units. The limited possibilities that characterize use are also part of the theme. By visualizing time-related influences of certain processes, exaggeration of effectiveness, regeneration processes, maximum absorption capacity of interventions and reversal of habitual impressions, the view is directed to the fact that capacities have a limited endurance and in a positive sense reflect the capacity of nature to suffer. Furthermore, the position of humans in this utilization process is discussed. The influence he exerts and the consequences he bears seem to share his position, but in reality become the dichotomy of his existence. Persons appear, sometimes simultaneously, as direction-givers and decision-makers or as passive bearers of events. The positions merge into one another and integrate themselves into the processes as components or contrasts to them. The role of man in the use of nature is to be questioned.
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