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Anja Struck:
Picture "near 4" (2017)
Picture "near 4" (2017)
Proportional view
Picture "near 4" (2017)
Anja Struck:
Picture "near 4" (2017)

Quick info

Oil | Canvas, stretched on stretcher frame | Format 80 x 120 cm (H/W) | picture hang up | signed certificate of authenticity

€2,900.00

incl. tax plus shipping

Delivery time: approx. 2 weeks

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Picture "near 4" (2017)
Anja Struck: Picture "near 4" (2017)

Detailed description

Picture "near 4" (2017)

Two cheerful fun-loving elderly ladies sitting on a bench. The motif occupies almost the entire space of the picture. The background looks bright and warm due to the color scheme of light yellow and light blue. Since the ladies are wearing caps and jackets, it can be assumed that they are sitting outside. The ladies are dressed in bright, but not garish, colors from green to orange to yellow. I painted them with a loose brushstroke to bring out the positive attitude to life of the two ladies. The cheerfulness in this picture jumps immediately to the viewer.

About Anja Struck

Born in 1961 in Hamburg, I studied free painting under Prof.
Harald Duwe at the Muthesius Academy of Fine Arts Kiel. This was followed by art education in Lüneburg and graphic and design in Hamburg. Later, a two-year study with Prof. Markus Lüpertz at the Art Academy Bad Reichenhall was added. In 2013 I received the cultural promotion award of the district of Lüneburg. My works can be seen at numerous exhibitions at home and abroad. Abroad: including America (New York, Miami,Pennsylvania), China (Beijing), Italy(Veneidig), Poland (Katowice), Östereich, Switzerland, Dänemerk Germany: Munich, Isny, Stuttgart, Bad Reichenhall, Berlin, Weilburg, Hilden, Dorsten, Detmold, Hanover, Stade, Hamburg, Lüneburg, Kiel, etc. I live and work in Lüneburg. My studio is in a former distillery, built in 1856. Man and landscape come together in my works to form an overall composition. The play of light and shadow creates liveliness. The dissolution of boundaries, the blurring of motifs and the emergence of blur gives the images something mysterious, it awakens memories and seduces the viewer to dream. This is further supported by a color choice of rather muted, soft colors. As a North German, I love the sea. In numerous works it finds itself thematically again. It creates images with great atmospheric density.
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