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Michael Rofka:
Sculpture "View from the time" (2023)
Sculpture "View from the time" (2023)
Sculpture "View from the time" (2023)
Sculpture "View from the time" (2023)
Sculpture "View from the time" (2023)
Sculpture "View from the time" (2023)
Sculpture "View from the time" (2023)
Sculpture "View from the time" (2023)
Sculpture "View from the time" (2023)
Sculpture "View from the time" (2023)
Sculpture "View from the time" (2023)
Michael Rofka:
Sculpture "View from the time" (2023)

Quick info

Stone | More refinement | suitable for indoor and outdoor use | Format 33 x 23 x 14 cm (H/W/D) | Weight 12 kg | signed certificate of authenticity

€2,200.00

incl. tax plus shipping

Delivery time: approx. 2 weeks

Sculpture "View from the time" (2023)
Michael Rofka: Sculpture "View from the time" (2023)

Detailed description

Sculpture "View from the time" (2023)

Even as a child, the artist collected stones. Among them were already smaller boulders of granite, which he could just carry. Still he carries stones now in the studio to make sculptures from them. So also from this erratic boulder as a 'souvenir' probably of the last ice age a small sculpture was created. Hard is the probably 10000 years ago arrived reddish granite. It now has a circular opening in the center. The surface is partly polished, partly the working traces of the hard metal chisel are left. The stone is mounted on a light green sandstone. The dimensions are without this base.

About Michael Rofka

Basically, I work in various media, with sculpture or sculpture takes a central role.
Increasingly important, however, are also land art projects on an international level. But I also paint and am musically active. Interdisciplinarity is important to me. Figurative elements are found only exceptionally and if these are rather plant forms. I have always been interested in natural science and nature forms a thematic center. For my sculptures I like to look for stones and wood in nature. However, I use steel or copper and also like to combine materials. The shaping of the sculptures follows on the one hand formal, geometric considerations, on the other hand it is found in a creative artistic work process. I am particularly interested in flow forms.
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