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Michael Rofka:
Picture "Staircase (2)" (2012)
Picture "Staircase (2)" (2012)
Picture "Staircase (2)" (2012)
Picture "Staircase (2)" (2012)
Picture "Staircase (2)" (2012)
Picture "Staircase (2)" (2012)
Picture "Staircase (2)" (2012)
Picture "Staircase (2)" (2012)
Picture "Staircase (2)" (2012)
Proportional view
Picture "Staircase (2)" (2012)
Michael Rofka:
Picture "Staircase (2)" (2012)

Quick info

Acrylic | Canvas, stretched on stretcher frame | Format 180 x 120 cm (H/W) | picture hang up | signed certificate of authenticity

€4,000.00

incl. tax plus shipping

Delivery time: approx. 2 weeks

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Picture "Staircase (2)" (2012)
Michael Rofka: Picture "Staircase (2)" (2012)

Detailed description

Picture "Staircase (2)" (2012)

This is another color field painting where the paint was applied in many layers. The three red stripes get a little lighter towards the top. Red is closest to the artist as a color. Here it is generously staged. At the same time it is not gestural expressive but radiates in its own powerful intensity. Thus, the image has an intense, warm and calm atmosphere. The image does not need a frame and can be hung directly.

Hersteller: ars mundi Edition Max Büchner GmbH, Bödekerstraße 13, 30161 Hannover, Deutschland E-Mail: info@arsmundi.de

About Michael Rofka

Basically, I work in various media, with sculpture or sculpture takes a central role.
Increasingly important, however, are also land art projects on an international level. But I also paint and am musically active. Interdisciplinarity is important to me. Figurative elements are found only exceptionally and if these are rather plant forms. I have always been interested in natural science and nature forms a thematic center. For my sculptures I like to look for stones and wood in nature. However, I use steel or copper and also like to combine materials. The shaping of the sculptures follows on the one hand formal, geometric considerations, on the other hand it is found in a creative artistic work process. I am particularly interested in flow forms.
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