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Oleg Breininger:
Picture "Trees" (2015)
Picture "Trees" (2015)
Picture "Trees" (2015)
Picture "Trees" (2015)
Picture "Trees" (2015)
Picture "Trees" (2015)
Picture "Trees" (2015)
Picture "Trees" (2015)
Picture "Trees" (2015)
Proportional view
Picture "Trees" (2015)
Oleg Breininger:
Picture "Trees" (2015)

Quick info

Watercolour | Paper | framed | Format 42 x 52 cm (H/W) | picture hang up | signed certificate of authenticity

€1,000.00

incl. tax plus shipping

Delivery time: approx. 2 weeks

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Picture "Trees" (2015)
Oleg Breininger: Picture "Trees" (2015)

Detailed description

Picture "Trees" (2015)

Natural spaces marked by use are the subject of my constant observations. The interventions resulting from the use and their traces in the natural spaces, are understood as self-evident components of nature. The boundary between the intervention and the natural state is dissolved. By visualizing the time-related influences of certain processes, the view is drawn to the fact that capacities have a limited endurance and reflect the capacity of nature to suffer. Furthermore, the position of man in this utilization process is dealt with. The influence he exerts, as well as the consequences he bears, seemingly share his position, but in reality become the dichotomy of his existence. The role of man in the use of nature will be questioned.

Hersteller: ars mundi Edition Max Büchner GmbH, Bödekerstraße 13, 30161 Hannover, Deutschland E-Mail: info@arsmundi.de

About Oleg Breininger

Date of birth: 1985 Studies: 2007- 2012 Alanus University of Arts and Social Sciences _ Fine Arts Alfter, NRW, Germany Freelance artist in the field of painting Natural spaces characterized by use are the subject of my constant observations.
Production and extraction, which among other things make up the use, determine the natural space in production material and production area and their components in production units. The limited possibilities that characterize use are also part of the theme. By visualizing time-related influences of certain processes, exaggeration of effectiveness, regeneration processes, maximum absorption capacity of interventions and reversal of habitual impressions, the view is directed to the fact that capacities have a limited endurance and in a positive sense reflect the capacity of nature to suffer. Furthermore, the position of humans in this utilization process is discussed. The influence he exerts and the consequences he bears seem to share his position, but in reality become the dichotomy of his existence. Persons appear, sometimes simultaneously, as direction-givers and decision-makers or as passive bearers of events. The positions merge into one another and integrate themselves into the processes as components or contrasts to them. The role of man in the use of nature is to be questioned.
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