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Ralf Kunstmann:
Picture "No.16" (2024)
Picture "No.16" (2024)
Picture "No.16" (2024)
Picture "No.16" (2024)
Picture "No.16" (2024)
Picture "No.16" (2024)
Picture "No.16" (2024)
Proportional view
Picture "No.16" (2024)
Ralf Kunstmann:
Picture "No.16" (2024)

Quick info

Acrylic | Canvas, stretched on stretcher frame | Format 50 x 40 cm (H/W) | signed certificate of authenticity

€4,900.00

incl. tax plus shipping

Delivery time: approx. 2 weeks

Picture "No.16" (2024)
Ralf Kunstmann: Picture "No.16" (2024)

Detailed description

Picture "No.16" (2024)

As you can clearly see from my pictures, I have a preference for morbid house facades. Here a door in the Tuscan light. The painting captivates with its layers of color, which create a plasticity that can only be fully appreciated when looking at the original. This depth is lost in photographs or on a monitor. The painterly realization was more challenging than initially assumed. Thousands of dots of paint had to be applied in layers to create this structure. An effort that was well worth it.

About Ralf Kunstmann

"back to the roots" Ralf Kunstmann's photorealistic painting technique stands out from other painting techniques due to its extraordinary attention to detail and astonishing depth of field.
In comparison to traditional painting techniques, which often involve a certain degree of interpretation and abstraction, Kunstmann strives to depict his motifs as realistically as possible. He uses a combination of digital tools and traditional techniques to reproduce textures, light effects and shadows with incredible precision. His ability to capture the finest details and nuances in his works sets him apart from many other artists. While brushstrokes and the artist's individual signature remain visible in classical painting, Kunstmann aims to minimize these elements in his photorealistic works to achieve an almost photographic quality. This technical mastery, coupled with his ability to convey emotional depth and a strong visual narrative, makes his artworks fascinating studies of reality that often lead the viewer to question the boundaries between painting and photography. His works are exhibited both nationally and internationally and can also be found in private collections.
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