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Elisaveta Sivas:
Picture "ONE" (2024)
Picture "ONE" (2024)
Picture "ONE" (2024)
Picture "ONE" (2024)
Picture "ONE" (2024)
Picture "ONE" (2024)
Picture "ONE" (2024)
Picture "ONE" (2024)
Picture "ONE" (2024)
Picture "ONE" (2024)
Picture "ONE" (2024)
Picture "ONE" (2024)
Picture "ONE" (2024)
Picture "ONE" (2024)
Picture "ONE" (2024)
Proportional view
Picture "ONE" (2024)
Elisaveta Sivas:
Picture "ONE" (2024)

Quick info

Oil | Canvas | Format 150 x 120 cm (H/W) | signed certificate of authenticity

€13,000.00

incl. tax plus shipping

Delivery time: approx. 2 weeks

Picture "ONE" (2024)
Elisaveta Sivas: Picture "ONE" (2024)

Detailed description

Picture "ONE" (2024)

“ONE” Original oil on canvas, 120 x 150 cm, 47,2 x 59 inches, 2024. It is time for the humanity to know the final truth! We are all connected through invisible energy bonds. We are One spirit. Deep inside behind the brain programs we are all only unconditional love. We have nothing to divide. We could accept all the diversity and go towards inclusivity in the development of our human society, of our common existence on Earth. We are here to create harmony together in material world, to share love. We are all One Creator. And it is time to become more conscious, to know our Trueself! This is a large artwrok. It is carefully packaged and shipped in a tube to reach safely your destination. Signed on the front. The authenticity certificate is included.

About Elisaveta Sivas

Elisaveta Sivas is a conceptual sculptor and visual artist based in Estonia.
As artist and spiritual mentor Elisaveta wants to remind to the humans who we truly are, to remind that we are One energy, one spirit materialized in many bodies on Earth. Only our Ego-brain keeps us in negative programms, keeps us divided, while deep inside we are nothing else but Love. Her art proposes a solution to the most global and relevant problems of anthropocene today. It brings people to Love, Unity, respect, inclusivity, sustainability and leads society to harmonious, prosperous and environmentally friendly future. Her style inherits the geometricity of the Cycladic figures, rethinks the abstraction of Brancusi's and Modigliani’s sculpture, and, echoing Chagall's naivety, passes into the era of metamodernism.
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